Victor Canning recommends ...
Twice Victor Canning's sister Jean asked him to recommend some books to
read and twice he sent her a list. They may give some insight into the
sources of his own style.
The first list was sent in the late 1930s.
- Henry Fielding: Tom Jones, Amelia, etc
- Richardson: Roderick Random, etc
-
Addison and Steele: Coverley papers from “The Spectator”
- Milne, A.A.: Winnie the Pooh
- A.P.Herbert: The Water Gypsies
-
Verne, Jules:
Twenty thousand leagues under the sea, Around the world in eighty
days
- London, Jack: Call of the wild
- Bunyan, John: Pilgrim’s progress
-
Chesterton, G.K.: Anything you can get. Great stuff, especially the
“Father Brown” tales
- Belloc, Hilaire: All his poems
- Brooke, Rupert: His poems, especially “Grantchester”
- Lytton, Lord: The last days of Pompeii
-
Huxley, Aldous:
Barren leaves, Point counterpoint, Brave new world
- Butler, Samuel: The way of all flesh
-
Hardy, Thomas: Tess of the d’Urbevilles, Jude the obscure
- Merrick, Leonard: Any of his
- Arlen, Michael: Any of his
- Cronin, A.J.: Hatter’s castle
- Morley, Christopher: Swiss family Manhattan
- Hughes, Richard: A high wind in Jamaica
- E. Sackville West: Any of hers
-
Buchan, John: Midwinter, Greenmantle, and any others of his
-
Bernard Shaw: Plays, any but particularly
Androcles and the Lion.
- Edgar Wallace: Four Just Men, etc but not too many
-
John Galsworthy: All the books in the Forsyte Saga, find the
individual titles in the library. Play: The Skin Game
-
Strong, L.A.G.:
Denver rides, The brothers, The garden, Corporal June
-
Sinclair Lewis: The trail of the hawk, Babbit, Mainstreet
- Upton Sinclair: Oil, Boston
- Eric Linklater: Juan in America, Magnus Merriman
- E.M.Delafield: The diary of a provincial lady
- Oliver Goldsmith
- Swift: Gulliver’s Travels
- Thackeray: Vanity Fair, Henry Esmond
- W.H.Hudson: Bevis: the story of a boy
- Williamson, Henry: Tarka the otter
- Borrow, George: Lavengro, Wild Wales, The bible in Spain
Much later, in the 1970s, she asked for another list, since she was starting
to write a novel herself and was looking for stylistic models.
- Dean R Koontz—knows how to shape a plot.
- Paul Erdmann: The crash of ’79
- Richard Adams: The girl in a swing
- Catherine Aird: The stately home murder
- Eric Ambler: A passage of arms
- James M Cain: The postman always rings twice
- Raymond Chandler: The long goodbye
- Agatha Christie: Death on the Nile
- James Clavell: Shogun
- Michael Crichton: The great train robbery
- Edwin Corley: Sargasso
- Stanley Ellin: House of cards
- Harry Harrison: Make room, make room!
- Dashiell Hammett—all his books
- Jack Higgins: The eagle has landed
- Hammond Innes: The wreck of the Mary Deare
- Rona Jaffe: The best of everything (sticky dialogue)
- James Kirkwood: P.S. Your cat is dead
- Ira Levin: Rosemary’s baby
- Helen McInnes: The double image
- Alistair Maclean: The guns of Navarone
- Ayn Rand: The fountainhead
- Willo Davis Roberts: Destiny’s woman
- Dorothy Sayers—try Clouds of witnesses
- Neville Shute: The rainbow and the rose
- Mary Willerby—love stories
In a newspaper interview of 1974 Canning names writers he admired:
"the great storytellers, John Buchan, Hugh Walpole, Priestley, James
Hilton, or that Cornish chap, what was his name, Howard Spring." He
also names Fowles and Updike among recent writers. He dismissed Joyce and
Proust as "vanity writing".
Clearly Canning read a great deal in a wide range of styles. But there are
two rather unexpected omissions: no mention of Charles Dickens or
H.G.Wells, though we know from his diary that he read and admired Wells in
his teens. The diary also contains a very dismissive comment on
D.H.Lawrence.